This is the new Nord Lead A1 analog modeling synthesizer – a stunning sounding synthesizer with a simplified yet hugely powerful front panel interface.
Producing stand-out sounds for live or for the studio, the Lead A1 is ideal for all musical genres. Thanks to its carefully thought-out user interface, the Lead A1 encourages experimentation, allows for far speedier programming than would otherwise be possible, and ultimately delivers sensational sonic results.
The Lead For Speed
Producing stand-out sounds for live or for the studio, the Lead A1 is ideal for all musical genres. Thanks to its carefully thought-out user interface, the Lead A1 encourages experimentation, allows for far speedier programming than would otherwise be possible, and ultimately delivers sensational sonic results.
Our Best-Ever Analog Modeling…
At the heart of the Lead A1 is our new analog modeling engine. Taking our virtual analog synthesis to the next level, this modeling recreates a total analog signal path with uncanny realism, and is capable of immense sonic variety. With 26-voice polyphony and four simultaneous synthesizer parts, the Lead A1 is a true synthesizer powerhouse that goes far beyond the current trend for limited capability analog reissues.
Combined With Our Most Intuitive Interface
Fundamental to the design of the Lead A1 is a brand new simple yet sophisticated front panel interface. The design is in fact the result of requests from professional players – even the most experienced programmers - who need to create the perfect sound as quickly as possible for today's live or studio time demands. The Lead A1 allows easy patch creation and experimentation thanks to a new and unique oscillator section, pre-programmed modulation matrix, and simplified ADR envelopes. Dive in and create incredible patches far quicker than would normally be possible with a synthesizer of such power.
Oscillator Section
The Lead A1's new Oscillator section generates 47 different waveforms from classic analog to digital harmonic and inharmonic waves, whilst unique Oscillator Configuration Shortcuts make programming more immediate than ever. Start with a single Oscillator waveform select an Oscillator Configuration Shortcut - Pitch, Detune, Shape, Sync, Sub Mix, FM, AM or Noise - and use the Adjust knob to adjust the settings of the configuration.
The end result is high speed programming without the need for the usual complexity of routing and patching, and with the opportunity for ready experimentation. A fast track to stunning sound design for both advanced and less experienced programmers.
Oscillator Configurations
Pitch
- adjusts the pitch of the original oscillator.
DeTune
- adds a second oscillator, with control over its pitch..
Sub Mix
- adds a second oscillator, with a choice of waveform shapes and pitches.
Shape
The shaping of the Analog, Extended Analog and Fixed Pulse waveforms uses a traditional waveshaping method, the other waveforms are changed with a spectral shaping process.
Sync
- emulates Hard sync by adding an additional oscillator that is the sync reference.
FM
Oscillator 1 will be modulated by a sine wave from oscillator 2 at high frequencies. There are several different pitch offsets for oscillator 2 (-12 to +48 semitones).
AM
- uses a second oscillator to create Amplitude Modulation.
Noise
adds a Noise element to the original oscillator, Osc Control sets the mix.
Arpeggiatorarpeggiator Section
The Lead A1 features four separate Arpeggiators with Up/Down and Random modes and a 4-octave range. Any or all can be sync'd to the Lead A1's master clock.
Master Clock
The Master Clock function of the Lead A1 allows the LFO, Arpeggiator and Delay to be synchronized, either internally or slaved to external MIDI clock. A Tap Tempo button allows you to easily tap to the tempo of a drummer or to playback tracks.
Splits And Layers
Having four identical, equally powerful synthesizers at once opens breathtaking layering possibilities. The Split-mode gives you two 2 slots on each side of the split. A flexible Hold functionality lets you latch and hold slots independently in the background while playing something else on top.
Multi Focus Mode
New in the Lead A1 is the Multi-Focus Mode that allows editing and control of all four slots simultaneously. Save this mode as part of a Performance and you have live realtime control over all four slots of the Lead A1.
Four Outputs
The Lead A1 features four independent audio outputs with the ability to route each slot to a different output. Plus control of Pan via the front panel knob is a welcome new addition in the Lead A1.
Sound Manager
The Lead A1 is compatible with the Nord Sound Manager software for OS X and Windows. Sound Manager is a dedicated librarian app which allows easy reorganizing, back-up and transfer of programs. The Nord Sound Manager is available for download here.
Midi Control
The Lead A1 features the convenience of MIDI over USB for use with a sequencer or with the included Sound Manager software. All of the Lead A1's knobs transmit MIDI Control data.
The Hardware
Nord Lead A1Like all Nord instruments, the Lead A1 is handmade in Nord's Stockholm factory with incredible attention to detail and quality control.
The keyboard is a Fatar® 49-key keybed with a super-fast response. With an all-metal chassis, tactile knobs, and unfaltering emphasis on quality, the Lead A1 is an instrument designed to last a lifetime.
General Features
26 voices, 4 part multitimbral.
3 part effects section (FX, delay and reverb) for each part
49-key velocity sensitive keyboard (keyboard version only) with octave shift buttons, +/-2 octaves.
Keyboard Split with 2 slots for the upper and lower sections.
Modulation Wheel (keyboard version only).
Pitch Stick with no dead zone at zero crossing (keyboard version only).
Programmable Pitch bend range, up to +/- 4 octaves
Separate up/down bend range: -12 or -24 semitones, + 2 semitones
1 pedal input for sustain.
1 pedal input for expression pedal.
USER INTERFACE
3 LED displays, 23 knobs, 3 encoders and 20+ buttons for program and performance editing.
Oscillator Section
Oscillator models of multiple waveforms (traditional analog, extended analog, pulse waveforms, real-time algorithmical waveforms with additive-, FM- and formant- synthesis)
OSC config knob 11 categories (Pitch, Shape, Osc Sync, Noise Mix, Osc 2 Detune, Sine Mix, Tri Mix, Saw Mix, Square Mix, Freq Modulation, Amp Modulation)
Filter Section
Multi-mode filter with 12 dB (2-pole) low pass, 24 dB (4-pole) lowpass and band pass, high pass, Ladder M and Ladder TB characteristics.
Cut off, Resonance, envelope amount, envelope amount controlled by velocity.
ADR/ASR envelope.
Filter keyboard tracking can be set to off, 1/3, 2/3 or full.
Adjustable Filter Distortion.
Modulation Section
LFO generates a triangle, square, sawtooth, inverted sawtooth or sample and hold waveforms. LFO can be routed to Filter Frequency and Osc mod. The LFO rate can be synchronized to the Master Clock.
LFO can be switched to polyphonic Env mode with four different characteristics and sample and hold is manually triggered by keyboard (polyphonic S/H).
Arpeggiator: Range: 1 - 4 octave. Modes: up, down, up/down and random. The Arpeggio rate can be synchronized to the Master Clock.
ADR/ASR envelope, velocity control on/off, inverse envelope on/off.
Amplifier Section
ADR/ASR envelope, velocity control on/off, gain control.
Individual Pan-control per program
PERFORMANCE SECTION
Voice modes: Poly, Legato with portamento, Mono, True Unison 1, 2 & 3.
Four program slots for layering possibilities and multitimbrality.
Effects
FX section with Flanger, Phaser, Ring Modulation, Chorus, Ensemble and Drive.
Delay section with tap tempo, four stages of feedback, stereo ping-pong, dry/wet mix. The Delay speed can be synchronized to the Master Clock.
Reverb section with five algorithms (Room, Stage 1, Stage 2, Hall 1, Hall 2).
Memory
Programs (single sounds): 8 x 50 (400) locations
Performances (multi sounds): 4 x 50 (200) locations
Audio Out
4 outputs. Each slot can be assigned to its own output.
Headphones output.
High resolution low noise 24 bit DACs.
Midi Features
All control knobs and switches send and receive control change messages.
System exclusive bulk dumps. One program or all programs.
Master Clock will sync to incoming MIDI clock.
Soft Thru
Connection
4 Line Level Audio Outputs - ¼", 6,35 mm jacks, unbalanced
Stereo Headphone Output - ¼", 6,35 mm stereo jack
Sustain Pedal - ¼", 6,35 mm jack.
Control Pedal - ¼", 6,35 mm TRS stereo jack. Use a Yamaha FC-7, Roland EV-7, Roland EV-5, Korg EXP2 or Korg XVP10.
USB connector with MIDI capabilities
MIDI In & Out - 5 pin DIN connectors
Included Accessories
User Manual
Power Cord With Iec C14 Connector
Dimensions
Nord Lead A1: 802 x 92 x 260 mm (31.5 x 3.6 x 10.2")
Weight
Nord Lead A1: 4.85 kg (10.7 lbs)
Specifications subject to change without notice. *Steinway, Wurlitzer, Hohner, Clavinet, Farfisa and Vox are trademarks of their respective owners and are not affiliated or associated with Clavia. These trademarks are mentioned here as a reference to a sound only. Leslie is mentioned to describe a connector standard.